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Skayle Marketing

Influencer & Creator Marketing

Creator partnerships that are disclosed, contracted and checked

Paid partnerships are advertising, and advertising regulators in every market we work in treat them that way. We select creators on audience quality rather than follower count, contract properly for usage rights, and will not place a partnership that hides what it is.

Read this first

Disclosure is not negotiable, and neither are claims

Paid partnerships are advertising. Regulators in our markets treat them as advertising, and the consequences of an undisclosed endorsement land on the brand as well as on the creator, so we set the boundary before discussing anything else.

What we commit to

  • Require clear, up-front disclosure on every paid or gifted placement, in plain language
  • Write disclosure obligations into the contract and check them at publication, not after
  • Verify that any claim a creator is asked to make can be substantiated by evidence you hold
  • Check audience quality before a fee is agreed, and walk away when the audience is bought
  • Contract usage rights, duration, territory and whitelisting explicitly and in advance
  • Report every partnership honestly, including the ones that produced nothing
  • Tell you to confirm your obligations with your own legal counsel, because we are not lawyers

What we refuse

  • Buy or place an endorsement that hides the fact it was paid for
  • Bury a disclosure below a caption fold, in a hashtag stack, or in an ambiguous abbreviation
  • Script a claim a creator cannot substantiate, including health, income or performance claims
  • Ask a creator to present a product as a personal discovery when it was commissioned
  • Work with accounts whose engagement is purchased, whatever the follower number says
  • Buy fake reviews, comments or ratings to support a campaign
  • Offer legal advice on disclosure, or tell you a regulator’s requirement is optional

Selection

What most briefs select on, and what we select on

Selection criteria compared: what is easy to measure against what actually predicts results
DimensionThe usual criterionWhat we use instead
SizeFollower count, because it is the number on the profileHow many of those followers are in the market you sell to, and whether the account grew plausibly
EngagementEngagement rate as a single percentageWhat the comments actually say — questions and opinions rather than emoji and tags
RelevanceThe creator’s stated categoryWhether they have posted about this subject before, unpaid, and how their audience responded
Evidence requestedA media kitThe creator’s own analytics shown live, including audience geography and age
Commercial termsA fee for a set number of postsA fee plus usage rights, duration, territory, exclusivity and whitelisting agreed up front
How success is judgedTotal impressions across all creatorsPer-creator results against a tracked link or code, reported including the failures

What goes wrong

Four expensive mistakes in creator campaigns

The rights were never bought.
A post performs well, the brand wants to run it as an advert, and discovers it has paid for a single organic placement and nothing more. Renegotiating at that point is expensive because the creator knows the content works. Usage rights, duration, territory and whitelisting cost far less agreed at contract stage than bought back afterwards.
The audience was purchased.
Follower counts can be bought cheaply, and so can engagement. The signals are visible if anyone looks: comments that respond to nothing in particular, an audience concentrated in markets the creator has no connection to, and growth that arrives in unexplained steps. Checking takes an hour and happens before money moves, or it does not happen at all.
The brief scripted the creator.
A word-for-word script delivered by someone the audience follows for their own voice produces something that reads as an advert and performs like one. The brief should set the subject, the must-mention facts, the claims boundary and the disclosure requirement, then let the creator say it their way — that is what was being paid for.
Nobody checked the claims.
A creator states something about efficacy, results or savings that the brand cannot substantiate. Responsibility does not stop at the creator: the advertiser is generally accountable for the claims made on its behalf. Every claim in a brief needs evidence behind it before the brief is sent.

How we run a campaign

From a shortlist to a partnership you could defend

  1. Define who you are trying to reach, not who you would like to post

    The brief starts with the audience and works back to creators whose followers resemble it. Starting from a list of names people in the office already follow produces campaigns aimed at the marketing team.

    You get: An audience definition and a reasoned longlist

  2. Check the audience before discussing money

    Comment substance, audience geography and age, growth pattern, and whether the creator has covered this subject unpaid. We ask for analytics shown live rather than as an exported image, and a refusal ends the conversation.

    You get: A screened shortlist with the evidence recorded

  3. Contract for everything you will want later

    Fee, deliverables, timing, approval rights, exclusivity, and the parts most brands forget: how long the content can be used, in which territories, whether it can be run as paid advertising, and whether the creator will authorise ads from their own account.

    You get: A signed agreement covering usage, whitelisting and disclosure

  4. Brief the subject, not the sentences

    Facts that must be included, claims that must not be made, the disclosure requirement, and the boundaries. Then the creator writes it, because their audience follows them for their voice and can tell immediately when they are reading someone else’s.

    You get: A brief with a claims boundary and disclosure requirement

  5. Check the post at publication

    Disclosure present, visible without expanding the caption, and on every post in the series. Claims consistent with what was substantiated. Links and codes working. Problems are fixed within the hour, not discovered in a monthly report.

    You get: A publication check record per placement

  6. Report per creator, including the failures

    Tracked links or unique codes per partnership so results are attributable rather than pooled. Some creators will produce almost nothing, and knowing which is the entire value of the first campaign.

    You get: Per-creator results and a keep or drop recommendation

The contract

What the agreement has to settle before anyone posts

Most disputes we are asked to untangle come from something on this list being left out of the original agreement. None of it is difficult to include at the start.

  • Deliverables in detail: how many posts, on which surfaces, and how long they stay live
  • Usage rights: where the brand can reuse the content, and in what contexts
  • Duration and territory for that reuse, stated in months and markets
  • Whitelisting: whether ads may run from the creator’s account, and for how long
  • Creator-licensed content: whether the brand may run the material from its own account
  • Exclusivity: which competing brands the creator will not work with, and for how long
  • Approval: what the brand may request changes to, and what it may not
  • The disclosure requirement, written explicitly rather than assumed
  • The claims boundary, listing what may not be said about the product
  • Takedown and correction terms if a post breaches the agreement or a platform rule
  • Payment terms, including what happens if deliverables are late or incomplete

Questions

What brands ask about creator partnerships

What are the disclosure rules?

They differ by market but they point the same way: if there is a material connection between a brand and a creator — payment, free product, commission, an ongoing relationship — the audience has to be told clearly and up front. In the United States that sits under the Federal Trade Commission’s endorsement guides; in the United Kingdom the Advertising Standards Authority applies the CAP Code; in Canada the Competition Bureau addresses it under deceptive marketing provisions; in Australia the ACCC applies consumer law.

The practical standard is consistent across all of them: the label must be visible without tapping to expand a caption, in plain language rather than an ambiguous abbreviation, and present on every post in a series rather than only the first.

We work to these requirements as a matter of practice, but we are not lawyers and this is not legal advice. Clients confirm their obligations with their own counsel, and we build the campaign around whatever that advice says.

Does disclosure hurt performance?

Not in a way that justifies hiding it. Audiences already assume that a creator posting about a brand has an arrangement with it, so a clear label mostly confirms what they suspected.

What does damage performance is a partnership that is obviously commercial and unlabelled, because it costs the creator credibility with the audience — and that credibility was the entire thing you were paying for.

How do you check whether an audience is genuine?

By looking at things that are hard to fake. Comment substance rather than comment count, whether the audience geography matches the market you sell in, follower growth patterns without unexplained jumps, and whether the creator has posted about this subject before or is a stranger to it.

We also ask the creator directly for their own analytics, including a screen recording rather than an exported image, and treat a refusal as an answer. This is done before a fee is agreed, not after.

Why not select on follower count?

Because it measures attention accumulated in the past, not influence available now. A creator with fifteen thousand followers who has covered your category for years will usually outperform one with three hundred thousand followers whose audience arrived for something unrelated.

Follower count is also the number easiest to inflate, which makes it the number least worth paying for. Relevance, audience composition and the quality of the comments predict results considerably better.

What is whitelisting, and do we need it?

Whitelisting is an arrangement where the creator authorises the brand to run advertising from the creator’s own account, so the ad appears under their name rather than the brand’s. Creator-licensed content is the related arrangement where the brand runs the creator’s content from its own account.

Both are worth agreeing in the original contract rather than later. Deciding after a post has performed well means renegotiating from a weak position, and the incremental cost at contract stage is usually small compared with the cost of commissioning the content again.

Can we just gift product instead of paying?

You can, and gifting is still a material connection that has to be disclosed. Free product in exchange for coverage is not exempt from disclosure requirements in any of the markets we work in.

Gifting also buys you far less control. There is no contract, no usage rights, no agreed timing and no obligation to post at all, which makes it a reasonable seeding tactic and a poor foundation for a campaign you need to plan around.

Have your last creator campaign looked at properly

Bring us the creators, the contracts and the posts. We will tell you which audiences were real, which rights you actually bought, and whether the disclosures would stand up — then design the next campaign around the answers.

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Last updated · Reviewed by Zubair Afzal

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